Arna Bontemps

The Works of 
Arna W. Bontemps

FICTION

Chariot in the Sky
Black Thunder
God Sends Sunday
Drums at Dusk
The Old South: "A Summer Tragedy"
And Other Stories of the Thirties (1973)

 

BIOGRAPHIES

Frederick Douglas
George Washington Carver
W. C. Handy
Booker T. Washington

 

CHILDREN'S BOOKS

The Fast Sooner Hound
Popo and Fifina
The Pasteboard Bandit
Mr. Kelso's Lion
Slappy Hooper
You Can't Pet a Possum
Sad Faced Boy
Sam Patch
Lonesome Boy
Famous Negro Athletes
Grandma Moses' Story Book
Bubber Goes to Heaven

HISTORIES

Story of the Negro
The Book of Negro Folklore
One Hundred Years of Negro Freedom
American Negro Heritage
Great Slave Narratives

 

 

ESSAY

The Harlem Renaissance Remembered

PLAY

St. Louis Woman

 

POETRY

Golden Slippers
The Poetry of the Negro
Personals
A Black Man Talks of Reaping
Southern Mansion

 


 


Published December 1998

The coon whined.  Then Bubber felt the tree sway, heard a cracking sound, and knew that the limb had broken with him and the coon.  In the next instant he felt himself plunging downward and everything got blacker then midnight.

The next thing he knew somebody was taking him in their hands.   They lifted him carefully with strong arms.  At first Bubber could not talk, but after a short time he said, "Dat you, Uncle Demus? Dat you, Zeke and King?"

And a voice answered, "Nah, we ain't your Uncle Demus, and we ain't Zeke and King.  We is God's big angels, and we's taking you to heaven, Bubber."

--- from Chapter 1, "The Coon Hunt"


 

Published November 1997

He was only six inches tall, and there were many people who hadn't even noticed him at the fair.  But that did not matter to Tito.  He knew that by and by somebody would come along and pay attention to his big white sombrero, his shaggy hair, his bushy black whiskers and his little round eyes.  Somebody, he was sure, would admire the way he clinched his tiny fist and held one hand in the air."

--- from Chapter 1,
"The Man with the Rabbit Whiskers


Poetry

A Black Man Talks of Reaping

I have sown beside all waters in my day.
 I planted deep, within my heart the fear
 that wind or fowl would take the grain away.
 I planted safe against this stark, lean year.

 I scattered seed enough to plant the land
 in rows from Canada to Mexico
 but for my reaping only what the hand
 can hold at once is all that I can show.
 
Yet what I sowed and what the orchard yields
 my brother's sons are gathering stalk and root;
 small wonder then my children glean in fields
 they have not sown, and feed on bitter fruit.

 

Southern Mansion

Poplars are standing there still as death
And ghosts of dead men
Meet their ladies walking
Two by two beneath the shade
And standing on the marble steps.

There is a sound of music echoing
Through the open door
And in the field there is
Another sound tinkling in the cotton:
Chains of bondmen dragging on the ground.

The years go back with an iron clank,
A hand is on the gate,
A dry leaf trembles on the wall.
Ghosts are walking.
They have broken roses down
And poplars stand there still as death.